Skip to main content

Film-making in the 1920's

As I've mentioned before, I work in theatre, and sometimes that extends to film and television. Occasionally I meet or hear of someone who believes that a job in the arts is full of fun and ease, after all it's just pretending, right? The truth, of course, is that there are some long hours, extreme conditions, and unexpected requirements involved, so you have to be prepared for anything.
In 1919 actress Lillian Gish (pictured above), began filming Way Down East with director D.W. Griffith. The movie was later hailed as "the greatest ever made", and featured scenes shot on an actual ice flow in blizzard conditions. Below is Ms. Gish's own account of what it took to shoot those moments.

"Mr. Griffith intended to shoot all the exterior scenes outdoors, including the blizzard. He wouldn't be satisfied with the fake fury of a studio storm.

For the climax of the movie, where Anna was to be driven out into the blizzard, stumble onto the river's ice, and faint, I tried to get into condition early with exercise, walks in winter gales, and cold baths.
The blizzard finally struck in March. Drifts eight feet high swallowed the studio. To hold the camera upright, three men lay on the ground, gripping the tripod legs. A small fire burned directly beneath the camera to keep the oil from freezing.

Again and again, I struggled through the storm. Once I fainted - and it wasn't in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside, even for a short warmup. The torture of returning to the cold wasn't worth the temporary warmth. The blizzard never slackened. At one point, the camera froze. There was an excruciating delay as the men, huddled against the wind, tried to get another fire started. At one time my face was caked with a crust of ice and snow, and icicles like little spikes formed on my eyelashes, making it difficult to keep my eyes open. The temperature never rose above zero during the three weeks we worked there."


  1. What a great anecdote. And I just love that picture of Lillian, the dress is divine.

    I never know what to say to the people who think jobs in the arts must be so glamourous and exciting (eyeroll)

  2. The dress is lovely, and can you imagine anyone outside of Hollywood wearing it?

    There are times when work in the arts is glamorous and exciting, but more often than not it's long hours and being expected to make the impossible happen- fast. Not that I'm complaining, but you have to do it for the love, not the money or the ease.


Post a Comment

Popular posts from this blog

Italian Renaissance Hairstyles

In keeping with my last post on Italian Renaissance costume I thought we would take a look at something we didn't touch much on; hairstyles. They were extremely varying; up and down, braided, netted, entwined with silks and ribbons, even pearls, and, of course, dyed, bleached, and curled. The only thing in somewhat short supply seems to be hats, and really who would want to cover up what you had spent so much time constructing?

Occasionally a small cap, or scuffia, was worn either with side curls, or with most of the hair stuffed up underneathe:-

Another notable hair decoration was the reta, or hairnet. Some of these were beaded, some woven in decorative patterns, and some left very simple.

Under and around these ornamentations, or even without them, hair was often braided or crimped.
There was the simple modesty of a veil, if you felt the need to cover up... Or, if blending into the background wasn't your thing, there were big turbans, or simply huge ones. 

And, of course, the…


How Our Ancestors Slept

As someone who wakes up during the night feeling frustratingly refreshed...and then struggles to rise in the morning, I found this article to be a kind of vindication. Apparently the way we sleep has changed. For more information you can visit the link here.