Skip to main content

Exhibit News- The Power of Nazi Propaganda

(Photo courtesy of the United States Holocaust Memorial Museum)

I was driving past the Holocaust Museum in D.C. today and I noticed that they have an exhibit up called "State of Deception: The Power of Nazi Propaganda". I keep meaning to visit the Holocaust Museum, but every time I consider it I seem to shy away on the basis that it just never feels like the right time to experience the sensation of being kicked in the gut, the irrational guilt, and likelihood that I'll cry in front of complete strangers. It's not a place that was built to inspire laughter or good feelings.

It is however the kind of place to go if you've ever wondered, as I have, how on earth it was that one man, or one political party, could convince so many people to carry out a ghastly plan of annihilation towards so many of their neighbors, countrymen, and fellow human beings. How does a failed painter get seemingly normal citizens to put children into gas chambers? It just seems impossible, and yet we know it happened.

This is the kind of question that the exhibit is intended to address. In the words of the Washington Post's reviewer, Philip Kennicott "In many ways, "State of Deception: The Power of Nazi Propaganda" feels like an introduction to Holocaust Museum 2.0. The $3.2 million exhibition is one of the largest and most ambitious in years, and certainly the most technologically slick in recent memory. By taking on the subject of propaganda, the museum is taking on the whole of the Nazi project, retelling the story of Hitler's rise to prominence, his consolidation of power, his ideology and his wars, and the aftermath, including a substantial look at how propaganda and genocide remain linked in places such as Rwanda." As someone who has studied the atrocities in Rwanda, and remembers the odd disconnect between knowing what was going on, yet watching the world stand by, I am pleased to see that, though this is a museum piece, it still reaches out and finds relevance in the world at large.

For the full review and more information about the exhibit you can visit the Washington Post's site here.

Comments

Popular posts from this blog

Italian Renaissance Hairstyles

In keeping with my last post on Italian Renaissance costume I thought we would take a look at something we didn't touch much on; hairstyles. They were extremely varying; up and down, braided, netted, entwined with silks and ribbons, even pearls, and, of course, dyed, bleached, and curled. The only thing in somewhat short supply seems to be hats, and really who would want to cover up what you had spent so much time constructing? "Do you have any idea how long it took me to get the curls placed?!" 1544 Portrait of Laura da Pola by Lotto Occasionally a small cap, or scuffia, was worn either with side curls, or with most of the hair stuffed up underneathe:- 1490 portrait by Ghirlandaio 1502 Betrothal 1510 Portrait by Araldi Another notable hair decoration was the reta, or hairnet. Some of these were beaded, some woven in decorative patterns, and some left very simple. 1505-1508 Siena 1545 Lavinia Under and around these ornamentations, o

How Our Ancestors Slept

As someone who wakes up during the night feeling frustratingly refreshed...and then struggles to rise in the morning, I found this article to be a kind of vindication. Apparently the way we sleep has changed. For more information you can visit the link here .

The De Berry Project- The Fabric and shoes

As I mentioned last time I am working on a version of the outfit to the left for an event coming up soon in July. I wanted something with a hat to shade my face, and not too hot since we are going to be outside in the middle of a Virginian summer. The fabric gods were not kind, when I went to my local fabric stores. There was really nothing in the right weight, color, pattern, fiber, or amount; especially the amount since I need about 8 yards for the undergown and 10 yards for the overdress. Part of the problem is that there are no waist seams, so each piece has to be cut from a long continuous length of material. Also, those sleeves are about four yards by themselves. I resigned myself to ordering online, which I hate doing because it's so hard to be sure of the color etc without seeing it in person, and by the time the fabric arrives often there just isn't time to send it back and get something else. I went first to an oldie, but a goodie; Thai silks. I knew they would