"The symptoms were not the same as in the East, where a gush of blood from the nose was the plain sign of inevitable death; but it began both in men and women with certain swellings in the groin or under the armpit. They grew to the size of a small apple or an egg, more or less, and were vulgarly called tumours. In a short space of time these tumours spread from the two parts named all over the body. Soon after this the symptoms changed and black or purple spots appeared on the arms or thighs or any other part of the body, sometimes a few large ones, sometimes many little ones. These spots were a certain sign of death, just as the original tumour had been and still remained." - Giovanni Boccaccio The Decameron
In keeping with my last post on Italian Renaissance costume I thought we would take a look at something we didn't touch much on; hairstyles. They were extremely varying; up and down, braided, netted, entwined with silks and ribbons, even pearls, and, of course, dyed, bleached, and curled. The only thing in somewhat short supply seems to be hats, and really who would want to cover up what you had spent so much time constructing? "Do you have any idea how long it took me to get the curls placed?!" 1544 Portrait of Laura da Pola by Lotto Occasionally a small cap, or scuffia, was worn either with side curls, or with most of the hair stuffed up underneathe:- 1490 portrait by Ghirlandaio 1502 Betrothal 1510 Portrait by Araldi Another notable hair decoration was the reta, or hairnet. Some of these were beaded, some woven in decorative patterns, and some left very simple. 1505-1508 Siena 1545 Lavinia Under and around these ornamentations, o
Comments
Post a Comment